Happy Ending review: Why the film is a big yawn as Saif plays the NRI manchild... again!

Cast: Saif Ali Khan, Ileana D’Cruz, Kalki Koechlin, Govinda, Ranvir Shorey

Direction: Raj Nidimoru, Krishna D.K.

Rating: **

It’s getting tiresome to see Saif Ali Khan constantly playing the rich, phoren-based manchild womanizer, afraid of commitment and destined to find The One who will make him want to give up his playboy lifestyle for Love. Since he did once play Langda Tyagi in Omkara, we know he has range, but the allure of cash appears to be stronger than the will to make a good movie.

Filmmakers Krish DK and rule Nidimoru have created some good films within the past. Flavours was a remarkable indie and ninety nine was a awfully amusive cricket-based comedy heroic tale. Shor and Go province Gone each had deserves. With Happy Ending, they fall victim to the appeal of a rom-com set in foreign lands, and also the results square measure rather unsatisfying.

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The film encompasses a promising starting. Yudi (Khan) could be a party monster, riding on the success of his one bestselling book. Six years when its publication, he gets a kick within the gut once his fanbase dwindles and also the world focuses its attention towards a replacement, hotshot, romance author Aanchal (Ileana D’Cruz). Naturally, Yudi hates Aanchal, and after all, he finally ends up falling smitten along with her.

The reason why this clichéd story looks promising within the starting is that the filmmakers execute it with knowingness. there's a movie at intervals a movie being created, wherever things the lead actors face is satirized. there's Govinda as Armaan, a brilliant wealthy geezer World Health Organization desires to be a Bollywood star and hates the prospect of the struggle necessary to form one thing original. Aanchal admits to being a fraud, having no interest smitten and making the most of stupid, unbeloved readers. the link between Yudi and Aanchal is given as script beats, charting out the varied chapters within the method of falling smitten. there's conjointly a replica of Yudi – a FAT, aggressive do-nothing named Yogi – and also the interaction between the 2 is harking back to saint detain Adaptation.

Sadly, Happy Ending doesn’t utilize the knowingness into something substantial. In fact, it cheats you. The film dances round the clichés of the storage com genre, deceit to satirise them however simply finally ends up falling into the trapdoor of a similar clichés it targets. It’s frustrating, to mention the smallest amount. sometimes the film is totally in your face - Saif’s character breaks the fourth wall and talks concerning the brain-teaser of commitments, with the poster of a Katherine Heigl flick within the frame.

Happy Ending’s real drawback is that it’s terribly boring. there's zero chemistry between Khan and D’Cruz and also the moments they SHARE square measure neither funny nor rabid. They’re simply cringe causing. Moreover, Aanchal is meant to be the woman World Health Organization changes a unashamed, philandering, unscrupulous Casanova into a lovey dovey puppy dog mendicancy for commitment – there's nothing concerning her that justifies such a amendment in Yudi. no matter Yudi and Aanchal share is simply as cold and mechanical as Yudi’s past and their makes an attempt at comedy all fall painfully flat.

The only bright spots within the film square measure avatar Koechlin, World Health Organization plays a uproariously dotty woman Yudi is making an attempt to urge eliminate, and Govinda, with SIX PACK abs and plenty of additional packs in his cubital nerve. Like in last week’s Kill/Dil, he’s the most effective issue concerning the flick and similar to therein flick, he’s reprehensively under-utilized in Happy Ending. It’s concerning time Govinda got his own film once more. He’d kill it in a very well written humour. Ranvir Shorey is fun still, taking part in a poor husband World Health Organization is desirous to hang around along with his friend and acquire drunk, however forced to be a married man. you want the film had been concerning the friendly relationship between the characters of Shorey and Govinda as a result of they’re up to now higher than the mediocre material encompassing them.

Ultimately, Happy Ending feels quite pointless – we’re ne'er positive what the story of Yudi and Aanchal is supposed to indicate. square measure we have a tendency to alleged to believe the ability of love? will love invariably render a cheerful ending? is that the guy alleged to move to the airfield once the woman leaves, even if they’re clearly mismatched and don’t believe commitment? Happy Ending doesn’t recognize what to try to to or say. It isn’t even positive whether or not it’s associate attempt|attempting} to be a feelgood comedy or an EXERCISE in clichés. Hopefully, it’s simply a happening for Nidimoru and DK as a result of they’re capable of far better.

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